Courses for Spring 2021

Title Instructor Location Time All taxonomy terms Description Section Description Cross Listings Fulfills Registration Notes Syllabus Syllabus URL Course Syllabus URL
GSWS 002-001 Gender & Society Akudo Ijeoma Ejelonu T 05:00 PM-07:00 PM This course will introduce students to the ways in which sex, gender, and sexuality mark our bodies, influence our perceptions of self and others, organize families and institutions, delimit opportunities for individuals and groups of people, as well as impact the terms of local and transnational economic exchange. We will explore the ways in which sex, gender, and sexuality work with other markers of difference and social status such as race, age, nationality, and ability to further demarcate possibilities, freedoms, choices, and opportunities available to people. Prerequisite: Requirement for Gender, Sexuality and Women's Studies major and minor Society sector (all classes) <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS002001
GSWS 003-401 Intro To Queer Studies Tyler G Baldor MW 02:00 PM-03:30 PM This course will introduce students to the historical and intellectual forces that led to the emergence of queer theory as a distinct field, as well as to recent and ongoing debates about gender, sexuality, embodiment, race, privacy, global power, and social norms. We will begin by tracing queer theory's conceptual heritage and prehistory in psychoanalysis, deconstruction and poststructuralism, the history of sexuality, gay and lesbian studies, woman-of-color feminism, the feminist sex wars, and the AIDS crisis. We will then study the key terms and concepts of the foundational queer work of the 1990s and early 2000s. Finally, we will turn to the new questions and issues that queer theory has addressed in roughly the past decade. Students will write several short papers. ENGL003401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span>
GSWS 004-601 The Family Lauren Elizabeth Harris T 04:30 PM-07:30 PM Family life is deeply personal but at the same time is dramatically impacted by social forces outside of the family. In this course we will examine how families are organized along the lines of gender, sexuality, social class, and race and how these affect family life. We will consider how family life is continually changing while at the same time traditional gender roles persist. For example, how "greedy" workplaces, which require long work hours, create work-family conflicts for mothers and fathers. We will also examine diverse family forms including single-parent families, blended families, families headed by same-gender parents, and families headed by gender non-conforming parents. The lectures will also examine how economic inequality shapes family life. Students will have the opportunity to apply key concepts to daily life. SOCI004601 Society sector (all classes) <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS004601
GSWS 005-401 Writing the Self: Life-Writing, Fiction, Representation Angelina Edith Eimannsberger
Zain Rashid Mian
T 01:30 PM-04:30 PM This course investigates how people try to understand who they are by writing about their lives. It will cover a broad range of forms, including memoirs, novels, essay films, and even celebrity autobiographies. The course will be international and in focus and will ask how the notion of self may shift, not only according to the demands of different genres, but in different literary, linguistic, and social contexts. Questions probed will include the following: How does a writer's language--or languages--shape how they think of themselves? To what extent is a sense of self and identity shaped by exclusion and othering? Is self-writing a form of translation and performance, especially in multilingual contexts? What can memoir teach us about the ways writers navigate global literary institutions that shape our knowledge of World Literature? How do various forms of life-writing enable people on the margins, whether sexual, gendered, or racial, to craft narratives that encapsulate their experience? Can telling one's own story bring joy, affirmation, and greater transcultural or even global understanding? In sum, this course proposes to illuminate the many ways in which writing becomes meaningful for those who take it up. The format of the seminar will require students to offer oral presentations on the readings and invite them to craft their own experiences and memories in inventive narrative forms. COML015401, ENGL011401 <span class="penncourse-course-notes">Communication Within the Curriculum</span><br /><span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS005401
GSWS 006-401 History of Modern Philos Karen Detlefsen This course is an introduction to a few central themes in philosophy in the 17th and 18th centuries, and to some of the crucial thinkers who addressed those themes. Topics to be covered may include, among others, the nature of the human being (including the human mind), the relationship between God and the created world, the nature of freedom, and the relations among natural sciences, philosophy and theology in this rich period of human history. PHIL004401 History & Tradition Sector (all classes) <span class="penncourse-course-notes">Course Online: Asynchronous Format</span><br /><span class="penncourse-course-notes">Registration also required for Recitation (see below)</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS006401
GSWS 086-401 Performance and Contemp Political Horizons (SNF Paideia Program Course) Brooke K. O'Harra
Sharon A Hayes
W 05:00 PM-08:00 PM This class addresses the meeting points inside of and between a range of resistant performance practices with a focus on artists using performance to address political and social encounters in the contemporary moment. Performance, a chaotic and unruly category that slides across music, dance, theater and visual art, has long been a container for resistant actions/activities that bring aesthetics and politics into dynamic dialogue. Embracing works, gestures, movements, sounds and embodiments that push against and beyond the conventions of a given genre, performance can't help but rub uncomfortably against the status quo. Scholars working across Performance Studies and Black Studies importantly expanded critical discourse around performance to address the entanglement of the medium with physical, psychic, spatial and temporal inhabitations of violence and power. Generating copious genealogies of embodied resistance, this scholarship instigates a complex, interdisciplinary and multidimensional perspective on intersections between art and life, performance and politics. The class hosts a series of public lectures, presentations and performances by visual artists, choreographers, theater artists, composers/musicians, performers, curators and activists engaged with the social and political moment. Presentations will be open to the public with students in the course developing in-depth research into the work of each visiting artist/performer/presenter to engage the larger context of each visitor's scholarship and/or practice through readings, discussion and in-class presentations. This course is open to all interested students. No prior requisties or experience with performance or the performing arts is necessary. For Spring 2021, the public lectures, presentations, performances and class meetings will be adjusted to protocols and current conditions necessitated by the COVID-19 pandemic. This means most events will be virtual with the possibility of a live outdoor event. This is a recurring course. ENGL125401, FNAR086401, FNAR586401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS086401
GSWS 090-401 Gender,Sexuality & Lit: Sexuality and Power Toni Bowers TR 10:30 AM-12:00 PM This course will focus on questions of gender difference and of sexual desire in a range of literary works, paying special attention to works by women and treatments of same-sex desire. More fundamentally, the course will introduce students to questions about the relation between identity and representation. We will attend in particular to intersections between gender, sexuality, race, class, and nation, and will choose from a rich vein of authors: Mary Wollstonecraft, Jane Austen, Mary Shelley, Lord Byron, the Brontes, Christina Rossetti, George Eliot, Oscar Wilde, Henry James, Gertrude Stein, Zora Neale Hurston, E. M. Forster, Virginia Woolf, Nella Larsen, Radclyffe Hall, Willa Cather, Elizabeth Bishop, Jean Rhys, James Baldwin, Sylvia Plath, Bessie Head, Audre Lorde, Adrienne Rich, Cherrie Moraga, Toni Morrison, Michael Cunningham, Dorothy Allison, Jeanette Winterson, and Leslie Feinberg. See the English Department's website at www.english.upenn.edu for a complete description of the current offerings. ENGL090401, COML090401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS090401
GSWS 118-401 Iran Cinema:Gend/Pol/Rel Mahyar Entezari This seminar explores Iranian culture, society, history and politics through the medium of film. We will examine a variety of cinematic works that represent the social, political, economic and cultural circumstances of contemporary Iran, as well as the diaspora. Along the way, we will discuss issues pertaining to gender, religion, nationalism, ethnicity, and the role of cinema in Iranian society and beyond. Discussions topics will also include the place of the Iranian diaspora in cinema, as well as the transnational production, distribution, and consumption of Iranian cinema. Films will include those by internationally acclaimed filmmakers, such as Rakhshan Bani-Etemad, Asghar Farhadi, Bahman Ghobadi, Abbas Kiarostami, Mohsen Makhmalbaf, Dariush Mehrjui, Tahmineh Milani, Jafar Panahi, Marjane Satrapi and others. All films will be subtitled in English. No prior knowledge is required. CIMS118401, NELC618401, NELC118401 <span class="penncourse-course-notes">Course Online: Asynchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS118401
GSWS 122-401 Sociology of Gender Robin Lisa Leidner TR 01:30 PM-03:00 PM Gender is an organizing principle of society, shaping social structures, cultural understandings, processes of interaction, and identities in ways that have profound consequences. It affects every aspect of people's lives, from their intimate relationships to their participation in work, family, government, and other social institutions and their place in the stratification system, Yet gender is such a taken for granted basis for differences among people that it can be hard to see the underlying social structures and cultural forces that reinforce or weaken the social boundaries that define gender. Differences in behavior, power,and experience are often seen as the result of biological imperatives or of individual choice. A sociological view of gender, in contrast, emphasizes how gender is socially constructed and how structural constraints limit choice. This course examines how differences based on gender are created and sustained, with particular attention to how other important bases of personal identity and social inequality--race and class-interact with patterns of gender relations. We will also seek to understand how social change happens and how gender inequality might be reduced. SOCI122401 Society sector (all classes) <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS122401
GSWS 125-401 Sex and Representation Henrietta India Halstead
Hannah Phoebe Leclair
TR 12:00 PM-01:30 PM This course explores literature that resists normative categories of gender and sexuality. By focusing on figures writing from the margins, we will explore how radical approaches to narrative form and subject-matter invite us to think in new ways about desire and identity. We will read texts that blur the boundaries between fact and fiction, hybridizing the genres of poetry, drama, and autobiography to produce new forms of expression, such as the graphic novel, auto-fiction, and prose poetry. From Viriginia Woolf's gender-bending epic, Orlando, to Tony Kushner's Angels in America, this course traces how non-normative desire is produced and policed by social and literary contexts - and how those contexts can be re-imagined and transformed. COML127401, CIMS125401 Arts & Letters Sector (all classes) <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS125401
GSWS 165-401 The Asian Caribbean Rupa Pillai TR 03:00 PM-04:30 PM This course complicates prevailing understandings of the Caribbean and extends the boundaries of Asian America by exploring the histories, experiences, and contributions of Asians in the Caribbean. In particular, we will focus on the migrations of Chinese and Indian individuals to Cuba, Trinidad, Jamaica, and Guyana as well as how their descendants are immigrating to the United States. We will examine the legal and social debates surrounding their labor in the 19th century, how they participated in the decolonization of the region, and how their migration to the United States complicates our understandings of ethnicity and race. Ultimately, through our comparative race approach, we will appreciate that the Caribbean is more than the Black Caribbean, it is also the Asian Caribbean. ASAM165401, SAST166401, LALS165401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS165401
GSWS 214-401 Intro To Persian Poetry Fatemeh Shams Esmaeili R 01:30 PM-04:30 PM This course introduces some of the major genres and themes of the millennium-old Persian poetic tradition from ancient to modern Iran. Epic and romance, love and mysticism, wine and drunkenness, wisdom and madness, body and mind, sin and temptation are some of the key themes that will be explored through a close reading of poems in this course.The course suits undergraduate students of all disciplines, as it requires no prior knowledge of or familiarity with the Persian language or the canon of Persian literature. All teaching materials are available in English translation. Students are expected to attend seminars and take part in discussions NELC216401, NELC516401, COML215401, HIST226401 Arts & Letters Sector (all classes) <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS214401
GSWS 215-401 Asian Am Gendersexuality: Asian American Gender and Sexuality Rupa Pillai TR 10:30 AM-12:00 PM This course explores the intersection of gender, sexuality, and race in Asian America. Through interdisciplinary and cultural texts, students will consider how Asian American gender and sexualities are constructed in relation to racism while learning theories on and methods to study gender, sex, and race. We will discuss masculinities, femininities, race-conscious feminisms, LGBTQ+ identities, interracial and intraracial relationships, and kinship structures. ASAM215401, SAST215401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS215401
GSWS 220-401 Asian American Women: Asian American Women: Nation, Self, Identity Raili Roy W 02:00 PM-05:00 PM This course examines the literary constructions of Asian American Womens' identity in relation to the U.S. nation state. How have the figures of the tiger mother, the Asian nerd, the rice queen, the trafficked woman, the geisha, the war bride, emerged to represent Asian American women, and how have Asian American feminists responded to these problematic racial stereotypes? How does the scholarship on such racialized representations illuminate historical and contemporary configurations of gender, sexuality, race, class, nation, citizenship, migration, empire, war, neoliberalism and globalization as they relate to the lives of Asian American women? In exploring these questions, this course examines Asian American histories, bodies, identities, diasporic communities, representations, and politics through multi- and interdisciplinary approaches, including social science research, literature, popular representations, film, poetry and art. ASAM220401, SAST221401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span>
GSWS 222-401 Afr Women Lives Past/Pre: African Women Lives Past and Present Pamela Blakely T 04:30 PM-07:30 PM Restoring women to African history is a worthy goal, but easier said than done.The course examines scholarship over the past forty years that brings to light previously overlooked contributions African women have made to political struggle, religious change, culture preservation, and economic development from pre-colonial times to present. The course addresses basic questions about changing women's roles and human rights controversies associated with African women within the wider cultural and historical contexts in which their lives are lived. It also raises fundamental questions about sources, methodology, and representation, including the value of African women's oral and written narrative and cinema production as avenues to insider perspectives on African women's lives. AFRC222401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS222401
GSWS 233-403 Wrld Hist: E Asia/Ltam Bradley L Craig M 02:00 PM-05:00 PM This is a topics course. See History Department's website: http://www.history.upenn.edu/courses/undergraduate for a complete description of this course for the term. HIST233403, LALS233403, AFRC234403 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS233403
GSWS 234-401 Gender Religion & China Hsiao-Wen Cheng R 04:30 PM-07:30 PM This course examines the interrelationship among "gender," "religion," and "China" as conceptual and historical categories. We ask, for example, how gender plays critical and constitutive roles in Chinese religious traditions, how religion can be used both to reinforce and to challenge gender norms, how religious women impact Chinese society and culture, and what the construction of "China" as a cultural identity and as a nation-state has to do with women, gender, and religion. We will also think about what assumptions we have when speaking of gender, religion, and China, and the infinite possibilities when we strive to think beyond. We will read three kinds of materials: (1) scholarship on gender and religion in historical and contemporary China as well as the Chinese-speaking world, (2) scholarship concerning theories and methodology of gender and religious studies not necessarily focused on China, and (3) historical record of religious women in English translation. EALC630401, EALC230401, RELS630401, RELS237401, GSWS630401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS234401
GSWS 256-401 The Tale of Genji Linda H. Chance TR 06:30 PM-07:30 PM "Crowning masterpiece of Japanese literature," "the world's first novel," "fountainhead of Japanese literary and aesthetic culture," "a great soap opera in the vein of Jacqueline Susann." Readers over the centuries have praised the Tale of Genji, the monumental prose tale finished just after the year 1000, in a variety of ways. In this course we will read the latest English translation of Murasaki Shikibu's work. We will watch as Genji loses his mother at a tender age, is cast out of the royal family, and begins a quest to fill the void she left. Along the way, Genji's loyalty to all the women he encounters forges his reputation as the ideal lover. We will consider gender issues in the female author's portrayal of this rake, and question the changing audience, from bored court women to censorious monks, from adoring nationalists to comic book adaptors. Study of the tale requires consideration of poetry, imagery, costume, music, history, religion, theater, political and material culture, all of which will be components of the course. We will also trace the effect of the tale's many motifs, from flora and fauna to murderously jealous spirits, on later literature and conceptions of human emotions. All material is in English translation. There are no prerequisites. EALC256401, EALC656401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS256401
GSWS 257-401 Contempor Fict/Film-Jpan Ayako Kano R 10:30 AM-12:00 PM This course will explore fiction and film in contemporary Japan, from 1945 to the present. Topics will include literary and cinematic representation of Japan s war experience and post-war reconstruction, negotiation with Japanese classics, confrontation with the state, and changing ideas of gender and sexuality. We will explore these and other questions by analyzing texts of various genres, including film and film scripts, novels, short stories, mangazines, and academic essays. Class sessions will combine lectures, discussion, audio-visual materials, and creative as well as analytical writing exercises. The course is taught in English, although Japanese materials will be made available upon request. No prior coursework in Japanese literature, culture, or film is required or expected; additional secondary materials will be available for students taking the course at the 600 level. Writers and film directors examined may include: Kawabata Yasunari, Hayashi Fumiko, Abe Kobo, Mishima Yukio, Oe Kenzaburo, Yoshimoto Banana, Ozu Yasujiro, Naruse Mikio, Kurosawa Akira, Imamura Shohei, Koreeda Hirokazu, and Beat Takeshi. CIMS151401, EALC151401, COML256401, EALC551401 Arts & Letters Sector (all classes) <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS257401
GSWS 258-401 Women in the Bible Isabel Cranz TR 12:00 PM-01:30 PM JWST254401, RELS257401, NELC257401 <span class="penncourse-course-notes">Course Online: Asynchronous Format</span><br /><span class="penncourse-course-notes">Benjamin Franklin Seminars</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS258401
GSWS 260-401 Women and the Making of Modern South Asia Ramya Sreenivasan TR 11:00 AM-12:00 PM This course on women in South Asian history has four objectives - 1. To acquaint ourselves with the historiography on South Asian women. 2. To gain an understanding of evolving institutions and practices shaping women's lives, such as the family, law and religious traditions. 3. To understand the impact of historical processes - the formation and breakdown of empire, colonialism, nationalism and decolonization - upon South Asian women between the sixteenth and twentieth centuries. 4. To become familiar with some of the significant texts written about and by women in this period. We will read a wide variety of primary sources including a Mughal princess' account, devotional verse authored by women, conduct books, tracts, autobiographies and novels. HIST260401, SAST260401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span>
GSWS 277-401 Gender, Sex & Urban Life Davis Aaron Knittle TR 12:00 PM-01:20 PM Is urban space gendered? Do we change how it is gendered as we move through it? Does it change us? This course explores gender and sexuality in the contemporary global city through the study of urban spaces. We will consider feminist, queer, and transgender theories of the city, as we investigate how practices of using and making space are gendered and sexualized. Each week of the course will be organized around a type of space, including subway, school, and birthing center, nightclub, suburb, and park. Assignments will include an auto-ethnography, a short critical essay, and a final assignment that asks you to propose an additional type of space in which to study the intersections of sex, gender, and the urban built environment. In each space, we will conduct an interdisciplinary exploration, drawing from sociology, anthropology, geography, city planning history, feminist and queer theory, as well as from fiction, poetry, music videos, photography, and documentary film. URBS277401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS277401
GSWS 279-401 Provocative Performance Rosemary Malague M 07:00 PM-09:00 PM What is feminist theatre? How do artists use live performance to provoke not only thought and feeling, but also social, personal, and political change? This course will examine a wide array of plays and performances by and about women; these pieces are, in turn, serious, hilarious, outrageous, poignant--and always provocative. Our focus will be on English-language works from the late 20th century to the present (#metoo) moment. We will read these performance texts and/or view them on stage/screen; we will also read essays that provide contextual background on feminist theatre theory and history. Throughout the semester, we will engage diverse perspectives on women and race, ethnicity, class, sexuality, and gender identity; the issues we encounter will also include marriage and motherhood, career and community, feminism and friendship, and patriarchy and power. The class will take full advantage of any related events occurring on campus or in the city, and will feature visits with guest speakers. Students will have the opportunity to pursue research on their own areas of interest (some recent examples are "women in comedy," trans performance, drag kings, feminist directing, etc.). THAR279401, ENGL303401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS279401
GSWS 294-401 Art Now Jonathan D Katz MW 10:00 AM-11:00 AM One of the most striking features of today's art world is the conspicuous place occupied in it by the photographic image. Large-scale color photographs and time-based installations in projections are everywhere. Looking back, we can see that much of the art making of the past 60 years has also been defined by this medium, regardless of the form it takes. Photographic images have inspired countless paintings, appeared in combines and installations, morphed into sculptures, drawings and performances, and served both as the object and the vehicle of institutional critique. They are also an increasingly important exhibition site: where most of us go to see earthworks, happenings and body-art. This course is a three-part exploration of our photographic present. ARTH294401, ARTH694401, VLST236401, ENGL063401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span><br /><span class="penncourse-course-notes">Registration also required for Recitation (see below)</span>
GSWS 295-401 Cinema and Media: Global Film Theory Meta Mazaj
Karen E Redrobe
R 10:30 AM-12:00 PM This course will provide an introduction to some of the most important film theory debates and allow us to explore how writers and filmmakers from different countries and historical periods have attempted to make sense of the changing phenomenon known as "cinema," to think cinematically. Topics under consideration may include: spectatorship, authorship, the apparatus, sound, editing, realism, race, gender and sexuality, stardom, the culture industry, the nation and decolonization, what counts as film theory and what counts as cinema, and the challenges of considering film theory in a global context, including the challenge of working across languages. There will be an asynchronous weekly film screening for this course. No knowledge of film theory is presumed. ENGL305401, CIMS305401, ARTH295401, ARTH695401, COML299401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS295401
GSWS 296-401 What Is Capitalism? Theories of Marx and Marxism David C Kazanjian W 02:00 PM-05:00 PM This course explores an aspect of literary theory intensively; specific course topics vary from year to year. Prerequisite: Spaces will be reserved for English majors. See the English Department's website at www.english.upenn.edu for a description of the current offerings. COML291401, ENGL294401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS296401
GSWS 340-401 Money, Power, Respect: Funding For Social Change Roz Lee CANCELED This course is about how to apply a race, gender and LGBTQ lens to support contemporary social justice movements in the U.S. and globally, including Black Lives Matter, #MeToo, transgender equality, and disability justice. We will explore intersectionality as a theoretical framework, and how it is practically applied to support social justice organizations and leaders, and fund social change. Over the course of the semester, Professor of Practice Roz Lee, a black lesbian feminist and lifelong racial, gender, LGBTQ and economic justice advocate, and who currently serves as Vice President of Strategy and Programs at the Ms. Foundation for Women, will be joined by movement leaders and philanthropy colleagues to discuss and analyze what's happening on the frontlines of movements for equity, justice and freedom. AFRC340401
GSWS 344-401 Psychology of Personal Growth Pamela Zamel T 04:30 PM-07:30 PM Intellectual, emotional and behavioral development in the college years. Illustrative topics: developing intellectual and social competence; developing personal and career goals; managing interpersonal relationships; values and behavior. Recommended for submatriculation in Psychological Services Master's Degree program. EDUC345401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span>
GSWS 355-401 Latin American Cuir Jorge Sanchez Cruz TR 03:00 PM-04:30 PM While certain debates around queer theory and queer studies have emphasized the problematics of a deployment of a North American field to other geopolitical spaces, this course takes a different approach by emphasizing how Latin America expands the notion of queerness while also contributes to the field of queer studies and queer theory at large. As such, the course emphasizes different manifestations of the non-normative from and within Latin America. Paying close attention to aesthetic practices as well as criticism, theory, and activism, students will be exposed to how Latin American literary and cultural practices labor a critique of hegemonic structures of visibility that simultaneously direct our senses to quotidian and communal strategies of survival. Students will engage with aesthetic artifacts, such as film, literature, manifestoes, poetry, performance, music, video and street art, and photography from Argentina, Brazil, Chile, Mexico, and Peru. LALS355401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS355401
GSWS 400-301 Honors Thesis Seminar Gwendolyn A Beetham This course is for senior undergraduate GSWS majors who will be completing an honors thesis. The seminar helps students decide on the most appropriate methodologies to use and topics to include in their thesis. Other topics include thesis organization and drawing conclusions from primary and secondary sources of data. <span class="penncourse-course-notes">Course Online: Asynchronous Format</span>
GSWS 510-401 Inner Outer Space Travel Writing: A Creative Writing Workshop Ricardo Bracho CANCELED Inner Outer Space Travel Writing is a creative writing workshop focused on writing work within the science fiction/speculative fiction/alternative futurities, science/land/travel writing, and creative-critical nonfiction traditions. Students will work within a variety of genres, with an emphasis on the essay, the short story, screen/tele-play, play, blog and performance. Students will read recommended texts from within their particular interests, and the course will culminate in both a public performance and dissemination/publication via another media platform (zine, website, podcast, etc). All levels of experience, from none/first-time writer to published writers, are encouraged to register for the course. LALS510401 <span class="penncourse-course-notes">Course Online: Asynchronous Format</span>
GSWS 514-401 Writing Transformation Ricardo Bracho R 04:30 PM-07:30 PM Writing Towards Transformation is a critical and creative writing workshop focused on developing works across genres that express and elaborate upon current and historical conditions of crisis and injustice. Using guided meditation, critical feedback and healthy, ethical discussion, the students of the class will develop manuscripts of poems, short stories, essays, plays and/or screenplays that in some way articulate their analysis of the present and the past towards a transformative future. We will read essays, manifestos, theater and fiction as well as view films that will hopefully inspire each student to develop texts and scripts of hope. Writers used as models of inspiration will include Gary Indiana, Valerie Solanas, June Jordan, Bertolt Brecht, Cherrie Moraga, Leslie Feinberg and Toni Cade Bambara, among many others. This is a graduate level course open to undergraduates by permission of the instructor. LALS514401, ENGL140401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span>
GSWS 518-401 Nursing&Gendering of Health Care in the U.S. and Internationally, 1860-2000 Cynthia A. Connolly W 04:00 PM-07:00 PM This course examines changing ideas about the nature of health and illness; changing forms of health care delivery; changing experiences of women as providers and patients; changing role expectations and realities for nurses; changing midwifery practice; and changing segmentation of the health care labor market by gender, class and race. It takes a gender perspective on all topics considered in the course. A comparative approach is used as national and international literature is considered. This focus is presented as one way of understanding the complex interrelationships among gender, class, and race in health care systems of the United States and countries abroad. NURS518401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS518401
GSWS 531-640 Gender in Western Travel Literature Kristine Lynn Rabberman M 06:30 PM-08:30 PM Descriptions of peoples from foreign lands and faraway places have captured the imaginations of Europeans for centuries. Pilgrims and merchants, explorers and conquistadores, Victorians taking their Grand Tour and 21st-century travelers have preserved their observations, both in written form, in ethnographies and diaries, novels and travel narratives, and in visual form, in maps, illuminated manuscripts, engravings, and photographs. Through these media, these travelers have not simply captured their memories, but have also helped to shape Western representations of the people they encountered, often justifying Western political, economic, cultural, and social dominance as a result, although some travelers have critiqued the West instead. And in all these depictions, gender and sexuality have played central roles in the creation of these identities and relationships. In this online course, we will explore this topic by studying a variety of primary and secondary sources focusing on medieval Ireland and Wales; English, Spanish, and Portuguese texts representing the New World and indigenous Americans; orientalism through the lens of imperial representations of the Middle East, India, and Africa; and 20th- and 21st-century representations of a globalized world, focusing on political, economic and cultural tensions between the West and other regions of the world. Primary texts will include travel diaries and narratives, ethnographies and novels, as well as visual images. We will also examine how scholars from fields including anthropology, art history, cultural studies, history, and literary studies have analyzed these works, with attention to theories on colonialism and post-colonialism, gendered and queer readings, orientalism and othering, and globalization. Finally, we will also look at how some of the people who were described by the Western writers described Westerners themselves. Assignments will include weekly blogs in response to readings, primary source threaded discussions, live discussions every week in our online classroom, leading class discussion for two weeks, writing two response papers, and completing a final essay in several stages. <span class="penncourse-course-notes">Course Online: Synchronous Format</span><br /><span class="penncourse-course-notes">Online Course Only</span>
GSWS 542-401 Work and Gender Robin Lisa Leidner W 02:00 PM-05:00 PM This seminar examines the relevance of gender to the organization and experience of paid and unpaid work. Combining materialist and social constructuionist approaches, we will consider occupational segregation, the relation of work and family, gender and class solidarity, the construction of gender through work, race and class variation in work experiences, and related topics. SOCI542401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS542401
GSWS 555-401 Health Education For Incarcerated Women Kathleen M Brown CANCELED This elective course will afford students the opportunity to develop and implement health education workshops for incarcerated women in the Philadelphia jail system. Students will explore the social and historical framework and trends in the incarceration of women, as well as the needs of this population, and will identify specific areas that need to be addressed by particular disciplines or professions. Students will have direct contact with the jail system, its staff, and female inmates. NURS555401 <span class="penncourse-course-notes">An Academically Based Community Serv Course</span>
GSWS 578-401 Sexuality of Postmodernism Jonathan D Katz W 05:00 PM-08:00 PM This course is fundamentally concerned with why so many of the defining artists of the postwar generation were queer, indeed such that one could plausibly claim that postmodernism in American art was a queer innovation. Centrally, most of these artists raise the problem of authoriality and its discontents. Deploying a combination of social-historical and theoretical texts, we will approach the problem of the disclaiming of authoriality in post war American art, focusing on the works of John Cage, Robert Rauschenberg, Jasper Johns, Cy Twombly, Robert Indiana, Louise Nevelson, Ellsworth Kelly, Agnes Martin, Leon Polk Smith and not least Andy Warhol. Central to this course will be the continuing salience of the "death of the author" discourse, pioneered in literature by Barthes and Foucault, and in art by every one of the artists we will be examining. What, in short, is the relationship between the rise of an anti-biographical, anti-authorial theoretical framework, and the lived histories of so many queer authors? In asking this question, we are of course self-consciously violating the very premise of one key strand of postmodernist critique--and in so doing attempting to historicize a theoretical frame that is strikingly resistant to historical analysis. (Undergraduates interested in the course should contact Professor Katz.) ARTH580401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span>
GSWS 581-401 Advanced Psychology of Women Suzanne G. Fegley T 09:15 AM-11:15 AM The course is intended for those who already have a foundation in the study of the psychology of women and want to expand their understanding of the provision of psychological services to include a contextual, feminist, and relational perspective. Theoretical and applied practices regarding women's mental health, issues of diversity, sexuality and relationships for women will be addressed. Prerequisite: Introduction to Psychology and an undergraduate course in the Psychology of Women or approval by professor. EDUC581401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span>
GSWS 582-401 Gender,Power&Fem Theory Nancy J. Hirschmann CANCELED This seminar will examine the theme of power as it engages questions of sex and gender. Subsidiary themes that will be developed over the course of the semester include: the modernism/ postmodernism debate as it particularly relates to feminism; the intersectionality of race, gender, sexuality and class and how feminists can and do talk about "women"; the relevance of feminist theory to policy issues, and which theoretical approaches are the most appropriate or have the most powerful potential. The readings will start with "foundational" texts in feminist theory-- texts that anyone who wants to work in or teach feminist theory needs to have in their repertoire, they set out the background and history of contemporary feminist theory, and they operate from a variety of disciplinary frameworks. We then will move onto some newer scholarship and some more specific political issues and topics, depending on what students in the course are interested in studying. This course is open to undergraduates who have had some prior course work in feminist theory, gender and sexuality studies, and/or political theory, in consultation with the professor. <span class="penncourse-course-notes">Undergraduates Need Permission</span>
GSWS 585-640 Fashioning Gender Jacqueline N Sadashige R 07:00 PM-09:00 PM In 1901 the average American family spent 14% of their annual income on clothing. By 1929, the average middle-class woman owned a total of nine outfits. Fast forward to the early twenty-first century, where the relative price of clothing has dropped, clothing has become virtually disposable, and individuals post videos of their shopping hauls online. This course will examine how we got here, why fashion matters, and the far-reaching implications of our love affair with clothes. Readings and topics will include foundational theory about fashion; how clothes shape class, gender, and identity; the significance of revolutionary designers such as Vivienne Westwood and Rei Kawakubo; and the evolution of the clothing industry and its place in the global economy. <span class="penncourse-course-notes">Course Online: Synchronous Format</span><br /><span class="penncourse-course-notes">Online Course Only</span>
GSWS 589-401 Rec Issue in Crit Theory: Movements and Culture Jennifer Lyn Sternad Ponce De Leon M 06:00 PM-09:00 PM This course is a critical exploration of recent literary and cultural theory, usually focusing on one particular movement or school, such as phenomenology, psychoanalysis, the Frankfurt School, or deconstruction. ENGL590401, LALS590401, COML590401, CIMS580401 <span class="penncourse-course-notes">Crse Online: Sync & Async Components</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS589401
GSWS 630-401 Gender Religion & China Hsiao-Wen Cheng R 04:30 PM-07:30 PM This course examines gender in Chinese religious culture from ancient to contemporary times. We will explore topics including the Buddhist accommodation of Chinese family system, Chinese transformation of the bodhisattva Guanyin, female deities in Daoist and popular religious pantheons, writings about religious women, female ghosts and fox spirits in literary imagination and folk tales, and the significance of yin force in Chinese medicine and Daoist alchemy. Through the case of China, we will look at how gender plays critical and constitutive roles in religious traditions, and how religion can be used both to reinforce and to challenge gender norms. EALC630401, EALC230401, RELS630401, RELS237401, GSWS234401 <span class="penncourse-course-notes">Course Online: Synchronous Format</span> https://pennintouchdaemon.apps.upenn.edu/pennInTouchProdDaemon/jsp/fast.do?webService=syllabus&term=2021A&course=GSWS630401